Tip Tuesday: Assigning a Color Profile to Your RAW Image
If you shoot in RAW, your camera doesn’t embed a color profile in the image (like it does with...
Read MorePosted by Jessica Maldonado | Feb 20, 2018 | 0
If you shoot in RAW, your camera doesn’t embed a color profile in the image (like it does with...
Read MorePosted by Jessica Maldonado | Oct 29, 2017 | 0
In this project, we’ll overcome an obstacle that photographers face all too often. In landscape photography, we’re told time and time again that there are only two times each day when we can successfully shoot a landscape: the golden hour (often referred to as the “magic” hour), which is early in the morning and again late in the evening. But when we’re out on the road desperately trying to cram so many awesome locations into our tight schedules, it’s not always practical, and we have to carefully choose where we are for sunrise and sunset.
Read MorePosted by Jessica Maldonado | Sep 5, 2017 | 0
This kind of replicates the bleach bypass look that was created in traditional photographic darkrooms and, although the darkroom is gone, this look still lives on and looks great on images where you see a lot of sky, like this one.
Read MorePosted by Scott Kelby Admin | Aug 22, 2017 | 0
There are two ways to do this, and the one I use most often is this (which we also looked at in...
Read MorePosted by Scott Kelby Admin | Jul 11, 2017 | 0
There is nothing worse than printing a nice big image, and then seeing all sorts of sensor dust,
spots, and specks in your image. If you shoot landscapes or travel shots, it is so hard to see these
spots in a blue or grayish sky, and if you shoot in a studio on seamless paper, it’s just as bad (maybe worse). I guess I should say: it used to be bad. Now, it’s absolutely a breeze, thanks to a feature in Camera Raw that makes every little spot and speck really stand out so you can remove them fast!