Tip Tuesday: Create a Quick Spotlight Effect in Adobe Camera Raw
There are two ways to do this, and the one I use most often is this (which we also looked at in...
Read MorePosted by Scott Kelby Admin | Aug 22, 2017 | 0
There are two ways to do this, and the one I use most often is this (which we also looked at in...
Read MorePosted by Scott Kelby Admin | Aug 15, 2017 | 0
One of the biggest “tells” that an image has been composited onto a new background in Photoshop is when the hue/color of the subject does not match the new environment they were supposedly shot in. Here’s an easy way to help them blend better!
Read MorePosted by Jessica Maldonado | Aug 13, 2017 | 0
Did you ever compose an image and ask yourself why the composed objects look sort of fake? Well, maybe it was because they don’t have the right shadows. It’s not complicated to create a physically correct shadow, but there are a few things that you should consider. There are three types of shadows, and the good news is all three of them can be created in Photoshop.
Read MorePosted by Jessica Maldonado | Jul 23, 2017 | 0
In this “Down & Dirty” tutorial by Corey Barker, we’re going to revisit a couple of different techniques I’ve done in the past and combine them to create an interesting illustrated look. The final result will appear to be aged with various spatter effects to give it a really vintage look.
Read MorePosted by Scott Kelby Admin | Jul 11, 2017 | 0
There is nothing worse than printing a nice big image, and then seeing all sorts of sensor dust,
spots, and specks in your image. If you shoot landscapes or travel shots, it is so hard to see these
spots in a blue or grayish sky, and if you shoot in a studio on seamless paper, it’s just as bad (maybe worse). I guess I should say: it used to be bad. Now, it’s absolutely a breeze, thanks to a feature in Camera Raw that makes every little spot and speck really stand out so you can remove them fast!