Tag: Magazine

Using Actions While Retouching Portraits <BR> by Kristina Sherk

Using Actions While Retouching Portraits
by Kristina Sherk

Posted by | Feb 11, 2018 | 0

If anyone reading this has attended or watched any of my classes, you know that I believe in working smarter, not harder, when it comes to Photoshop. That’s why I believe wholeheartedly in actions and what they can do to send your retouching into hyperdrive! Incorporating actions into your portrait workflow can make your retouching so much quicker. Actions not only do things faster and with less work from you, but they can also create an outline so that you don’t get sidetracked, thus keeping you productive.

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How to Create the Desaturated Urban Look <BR> by Serge Ramelli

How to Create the Desaturated Urban Look
by Serge Ramelli

Posted by | Jan 14, 2018 | 0

A lot of people like to create their own style, while some may be inspired by images on 500px.com or Instagram looks. Here, we’re going to create the famous desaturated urban look. You’ve probably seen this style in photos all over social media, where there’s no detail in the sky, the blacks are really dark, and there’s not too much saturation—or sometimes there’s just undertones of reds or yellows.

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Photography for Composites <BR> By Glyn Dewis

Photography for Composites
By Glyn Dewis

Posted by | Nov 26, 2017 | 0

In this article Glyn Dewis gives you some insight into what is, without question, the most important part of compositing—the photography. Whether your goal is to create a realistic or maybe even a surrealistic picture, having the right starting image with the correct perspective and lighting is vital to a successful composite. The best possible starting image will make the creation of your composites much easier, freeing you up so your time in Photoshop can be creative as opposed to corrective.

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How to Create Shadows in a Composed Scene <BR> By Uli Staiger

How to Create Shadows in a Composed Scene
By Uli Staiger

Posted by | Aug 13, 2017 | 0

Did you ever compose an image and ask yourself why the composed objects look sort of fake? Well, maybe it was because they don’t have the right shadows. It’s not complicated to create a physically correct shadow, but there are a few things that you should consider. There are three types of shadows, and the good news is all three of them can be created in Photoshop.

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