Search Results for: Member Challenge

Splash Proof: Over/Under Photography Offers Fresh Perspectives
By Tom Bol

Ever since I started my career as an adventure sports photographer, I’ve been floating in the water with a camera in hand. On one assignment I might be documenting a two-month kayaking trip in southern Chile, and the next month photographing a famous trout fisherman in Wyoming. Editors wanted fresh imagery, and that meant figuring out a way to shoot in the water. And not just simply shooting underwater, but creating a photograph that revealed both under and above the water at the same time. These images, referred to as over/under images, always caught the viewer’s attention.

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New In Town Composite
By Scott Valentine

How do you write a big story? By writing it in small parts and putting it all together! In Scott Valentine’s regular “Photoshop Proving Ground” column for Photoshop User magazine, he spends a lot of time getting you familiar with Photoshop’s tools so you can use them to build big things from small. In this tutorial, he’ll show how to combine a few tools he’s written about in the past to take on bigger challenges by tackling the smaller ones first. In this way, you get to tell bigger and bigger stories.

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Processing Realistic Starscapes
By Sean Arbabi

Creating stunning nightscapes with the goal of realism for the final image file not only comes from your experience of how these scenes appear through a pair of human eyes, but also how contrast, exposure, light, and detail manifest during these hours of darkness. Learn some of the challenges you may face documenting a extremely low-lit scene, and how to process your image file to maximize the detail and tones captured.

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