Tip Tuesday: Dealing with Too Much of a Particular Color in Photoshop
If you have a color that’s too intense in your photo (for example, your reds are too red, which is pretty common in some cameras), try this…
Read MorePosted by Jessica Maldonado | Jan 16, 2018 | 0
If you have a color that’s too intense in your photo (for example, your reds are too red, which is pretty common in some cameras), try this…
Read MorePosted by Sarah Freeman | Jan 12, 2018 | 0
Show off your still life photography skills in the newest Member Challenge!
Read MorePosted by Sarah Freeman | Jan 10, 2018 | 2
Check out the winning, second place, and honorable mention images for Member Challenge 17 | Winter.
Read MorePosted by Jessica Maldonado | Dec 17, 2017 | 0
With winter rearing its frosty head in most parts of the country, it’s likely that most outdoor...
Read MorePosted by Jessica Maldonado | Nov 26, 2017 | 0
In this article Glyn Dewis gives you some insight into what is, without question, the most important part of compositing—the photography. Whether your goal is to create a realistic or maybe even a surrealistic picture, having the right starting image with the correct perspective and lighting is vital to a successful composite. The best possible starting image will make the creation of your composites much easier, freeing you up so your time in Photoshop can be creative as opposed to corrective.
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