Tip Tuesday: In Your Studio, What Color Should the Ceiling and Walls be?
By Frank Doorhof
Excerpt from Mastering the Model Shoot by Frank Doorhof. You might think that black is best, but...
Read MorePosted by Jessica Maldonado | Sep 12, 2017 | 0
Excerpt from Mastering the Model Shoot by Frank Doorhof. You might think that black is best, but...
Read MorePosted by Jessica Maldonado | Sep 5, 2017 | 0
This kind of replicates the bleach bypass look that was created in traditional photographic darkrooms and, although the darkroom is gone, this look still lives on and looks great on images where you see a lot of sky, like this one.
Read MorePosted by Scott Kelby Admin | Aug 22, 2017 | 0
There are two ways to do this, and the one I use most often is this (which we also looked at in...
Read MorePosted by Scott Kelby Admin | Aug 15, 2017 | 0
One of the biggest “tells” that an image has been composited onto a new background in Photoshop is when the hue/color of the subject does not match the new environment they were supposedly shot in. Here’s an easy way to help them blend better!
Read MoreDo you find yourself using the same layer blend modes in Photoshop?
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