Tip Tuesday: Merging Panos Inside Camera Raw
This one is kinda hidden because you wouldn’t see it unless you opened multiple photos in Camera...
Read More
Tag: Camera Raw
Polishing The Rivets, Bringing Glory To The Light!
By Moose Peterson
It was a typical day in England, light wise that is. We’d spent the whole day on the historic Duxford Field with the Historic Aircraft Collection’s spectacular Supermarine Spitfire Mk Vb and Hawker Hurricane Mk XIIa. We’d had those stereotypical English gray skies most of the day. The field, aircraft, even the weather is exactly what the men and women of the British Royal Air Force saw during WWII as they launched these very aircraft to defend their nation. That’s a lot of history to shove in your viewfinder, even more when you share that final photograph! Then, when the sun worked its magic as only it can at sunset, the photographic challenge exploded with the romance that it now brought to the field.
Read More
Tip Tuesday: Assigning a Color Profile to Your RAW Image
If you shoot in RAW, your camera doesn’t embed a color profile in the image (like it does with...
Read More
Creating a Golden Hour Look in Adobe Camera Raw
by Dave Williams
In this project, we’ll overcome an obstacle that photographers face all too often. In landscape photography, we’re told time and time again that there are only two times each day when we can successfully shoot a landscape: the golden hour (often referred to as the “magic” hour), which is early in the morning and again late in the evening. But when we’re out on the road desperately trying to cram so many awesome locations into our tight schedules, it’s not always practical, and we have to carefully choose where we are for sunrise and sunset.
Read More
Tip Tuesday: Desaturated Bleach Bypass Look
This kind of replicates the bleach bypass look that was created in traditional photographic darkrooms and, although the darkroom is gone, this look still lives on and looks great on images where you see a lot of sky, like this one.
Read MoreRecent Videos
