In an earlier post, we looked at using a skin-smoothing technique and how we could use that to create smoother transitions of tones on our subject’s face, and we got to use some of Lightroom’s Person Mask Options. This time, we’re going to dig in a little deeper on using these options for a variety of retouches.
The interesting thing about this one is that Teeth masking is invisible much of the time. The choice of masking teeth only appears in the Person Mask Options panel if your subject is smiling, which makes sense when you think about it. Here, take a look:
STEP ONE: After clicking on the Masking tool, then clicking on the Person thumbnail in the People section, go ahead and turn on the Teeth checkbox to select only your subject’s teeth (as shown here), and then click the Create Mask button to mask them. (KelbyOne members can click here to download this image for practice purposes only.)
STEP TWO: Your subject’s teeth will appear with a red tint when they’re masked but, as soon as you drag a slider, the red tint goes away. So, let’s start by removing the yellowing from the teeth by scrolling down in the adjustment sliders to Saturation, and dragging this slider to the left. Drag just far enough to remove the yellow. If you desaturate the teeth too much, they’ll turn gray, so don’t go all the way over to the left (here, I dragged it to –62).
STEP THREE: Now, let’s brighten the teeth a bit by going up to the Exposure slider and dragging it to the right (0.79 here), which does the trick.
Here’s a before/after. That was super-easy, right? Okay, let’s try another retouch.
STEP ONE: Go to the top of the Masks panel, click on Create New Mask, and from the pop-up menu, choose Select People (as shown here).
STEP TWO: In the People section, click on the circular thumbnail of your subject to bring up the Person Mask Options again, but this time, turn on the Hair checkbox. Now, click the Create Mask button at the bottom of the panel to select your subject’s hair (as seen here). I know, the red hair looks pretty good, but that’s just the red-tint overlay; we’re going in a different direction.
STEP THREE: Let’s darken our subject’s hair by dragging the Exposure slider to the left (here, I dragged it to –1.08, so a little more than a stop darker). Next, let’s bring out the highlights in her hair by dragging the Whites slider to the right (here, I dragged it over to 75.) If you don’t think that’s enough, you can drag the Highlights slider over to the right, as well: your call.
Here’s another before/after (you can get a before/after by pressing the Y key on your keyboard), showing just the hair changes we did. Okay, up for one more? Let’s go!
RETOUCHING THE WHITES OF THE EYES
STEP ONE: Go to the top of the Masks panel, click on Create New Mask, and from the pop-up menu, choose Select People. Click on the Person thumbnail of your subject. In the Person Mask Options panel, turn on the Eye Sclera (the whites of the eyes) checkbox (as shown here), and then click the Create Mask button. This adds a red tint to the eyes (that’s the red-tint overlay mask you’re seeing again).
STEP TWO: We’re going to brighten the whites of the eyes here, because I think they’re a little dark (probably because of her bangs blocking the light a bit). But, before we just grab the Exposure slider, I want to give you a heads-up: overbrightening the whites of the eyes is one of the most common retouching mistakes photographers make when they first start retouching, so be careful to avoid that. In this case, we just need a little brightening, maybe just half a stop, so drag the Exposure slider to the right to 0.50, and you’re done. If you go much farther, she’ll have “alien eyes,” so we’re better off under-retouching the brightness here than over-retouching it.
Let’s look at a final before/after of our retouching. All simple stuff, all easy to do, but it does make a difference.
This article originally published in the January, 2023 issue of Photoshop User magazine.