Reflect Emotion with Rick Sammon | Photo Tip Friday
With this simple trick to keep in mind from Rick Sammon, you’ll see a noticeable difference in your portrait photos. Watch his Photo Tip Friday now!
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Gram of the Week | @jerryghionis
Photographer Jerry Ghionis shares one of the most memorable days of his career on this week’s Gram of the Week. Check it out!
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Member Monday featuring Taylor Cready
Meet KelbyOne member, Taylor Cready. She creates masterful and powerful portraits like the one featured in today’s post!
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Creating a High-Key Portrait Effect
by Lesa Snider
Since CMYK channels represent ink rather than light, the grayscale information you see in your Channels panel represents the opposite of what it does in RGB mode. In CMYK mode, black indicates color at full strength and white indicates color at its weakest. Even if you’re not sending your image to a professional printing press, you can still have some fun in CMYK mode!
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The Prime Portrait: The Difference Between f/2.8 and f/1.4
by Tom Bol
My lens assortment has grown and evolved throughout my career. I started with all prime lenses, as they were optically superior during that time. But zoom quality improved, and I started using two main lenses: 24–70mm and 70–200mm, both f/2.8. Optically, they were sharp, and the convenience of zooming through the focal lengths was terrific. Every five years or so, a sharper, quicker auto-focus version would come out, and I’d be first in line to upgrade. With these two lenses, I was good to go.
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