When the Best Mask Isn’t a Mask At All!
by Mark Heaps
We’ve all seen this effect of masking out an image inside a piece of type. Maybe you’ve seen it on...
Read MorePosted by Jessica Maldonado | Jul 18, 2021 | 0
We’ve all seen this effect of masking out an image inside a piece of type. Maybe you’ve seen it on...
Read MorePosted by Jessica Maldonado | Jun 2, 2020 | 0
When you’re working on a layer mask, you can soften the selection edges by using the Feather...
Read MorePosted by Jessica Maldonado | Apr 9, 2019 | 0
You may have heard the term luminosity masks? I’m not going to explain luminosity masks here, as...
Read MorePosted by Jessica Maldonado | Nov 11, 2018 | 0
“Work smarter, not harder.” Anyone who has watched my KelbyOne courses knows this is my mantra, and I honestly live by these words. It’s important to not only keep up with the latest gear but it’s also just as important to spend time growing your knowledge of the software that you already subscribe to and use on a daily basis. The better you know the software (or hardware) you already own, the easier you’ll work, and the more proficient you’ll become. You can have all of the newest gear in the world, but if you don’t know how to use it, you won’t be a good photographer. (Sorry to all those gear heads out there whose bubble I just busted.)
Read MorePosted by Jessica Maldonado | Sep 2, 2018 | 2
Hair and objects with soft edges are among the most difficult items to select, but the new Select and Mask workspace is built for that task. In this column, you’ll learn how to use it to refine a selection of a subject with curly hair in order to swap in a more colorful background.
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